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#cls

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Leaving #Seoul after an intense week!

The #ICLA2025 Congress was a blast. I especially enjoyed our "Digital Comparative Literature" sessions; great discussions! And the round table on responsible use of generative LLMs turned out really great as well, with a rather large audience.

The only less-than-great thing was that, unsurprisingly, I think I was basically the only one posting about the event here, with @icla_dcl / @rebsim. 😞

#DigitalHumanities #Comparative Literature #CLS

Letzte Woche auf der #DH2025 habe ich unseren interdisziplinären Ansatz präsentiert, der qualitativ-philologische Verfahren mit NLP-basierten Analysen kombiniert, um sprachlich-linguistische Muster als Heuristiken für kulturelle, politische und ästhetische Semantiken in serieller Literatur im Kontext historischer „Frauen-Zeitungen“ zu nutzen.

Vielen Dank für die anregenden Fragen und Gedanken!

#DH2025: What are we really measuring when we count words? Artjoms Šeļa, Thomas Haider & Petr Plecháč show how different meters distinctly shape seemingly unrelated feature distributions across Czech, German & Russian #poetry. Their main finding: Mind the meter! #CLS

Neat idea by Jessica Monaco and Mark Algee-Hewitt, at #DH2025, on subgenre mixture within the Gothic novel:

First, train a model to classify text segments into one of eight genres, not including the Gothic (!).

Then, ask the model to classify segments from Gothic novels into those genres in order to obtain characteristic genre mixtures within the Gothic novel.

They obtain radar plots for each Gothic novel that show this mixtures.