Ricardo Harvin<p><a href="https://mstdn.social/tags/SomethingWild" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SomethingWild</span></a>, 1961, starring <a href="https://mstdn.social/tags/CarrollBaker" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CarrollBaker</span></a> (<a href="https://mstdn.social/tags/Lolita" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Lolita</span></a>) is ultimately a perverse story with a wtf ending.</p><p>It's artistically and technically well done, but it's fundamentally a toxic mess that could have been an interesting psychological drama, instead.</p><p>A good thing is there are more <a href="https://mstdn.social/tags/Black" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Black</span></a> people naturally in the background than in most <a href="https://mstdn.social/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> and <a href="https://mstdn.social/tags/tv" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tv</span></a> <a href="https://mstdn.social/tags/shows" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>shows</span></a> set in <a href="https://mstdn.social/tags/NewYork" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NewYork</span></a> today.</p><p>Also good to see familiar faces like <a href="https://mstdn.social/tags/EdithStapleton" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>EdithStapleton</span></a>, <a href="https://mstdn.social/tags/DorisRoberts" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DorisRoberts</span></a>, and <a href="https://mstdn.social/tags/CliftonJames" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CliftonJames</span></a> in bit parts.</p>